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ART AT IL BOSCARETO

THE RESORT MEETS CONTEMPORARY ART

Il Boscareto Resort & SPA celebrates the artistic and literary heritage of our region, enriching its hospitality with the opportunity to explore the artistic impressions that its spaces inspire.

Presented here are works by emerging artists and established figures from the Italian and international scene, freely engaging in dialogue with the architecture and convivial spaces. The exhibition project is conceived as a continuous evolution, offering ever-changing combinations of
works and artists, styles and eras, media and techniques, so that the intimacy of hospitality and rest may merge with the vital experience of art.
Through its timeless evocative power, art invites a deeper contemplation and understanding of our territory.

Quayola

The Hall and the Sunsì Bistrot, two bright and convivial spaces on the ground floor of Il Boscareto Resort & SPA, have for several years hosted works by Quayola, a media artist from Rome.

His series “Remains” (2018), an ongoing project, uses highprecision laser scanners to capture natural landscapes in high resolution. The resulting digital renderings contain imperfections within their 3D scans, creating hybrid formations between the real and the artificial, the figurative and the abstract, the old and the new.

Today, Il Boscareto Resort & SPA, in collaboration with the artist, presents a new series titled “Iconographies”, a projectfocusing on the analysis of Renaissance and Baroque paintings, transformed into complex abstract compositions. Rather than offering contemporary reinterpretations of the originals, the works explore classical iconology, creating alternative visual versions of the paintings.

Iconographies #20-12: Tiger Hunt after Rubens, Ink printing, 2014

LA REI NATURA BY MICHELANGELO MAMMOLITI FOR LUNETTA11

In the spaces of the restaurant La Rei Natura, the second collaborative episode between the contemporary art gallery Lunetta11 in Mombarcaro, founded by Francesco Pistoi and Claudia Zunino, and Il Boscareto Resort & Spa is presented.

The shared intent of chef Michelangelo Mammoliti and the gallerists to convey the identity of the Langhe territory and its raw materials takes shape in an exhibition itinerary featuring two young artists, Ismaele Nones and Sara Cortesi, in dialogue with the now-established figures Giulio Paolini and Salvo.

Ismaele Nones

The young artist, who likewise, drawing on Byzantine iconography, and in particular the hieratic quality that distinguishes it, reworks everyday scenes of contemporary youth, often emphasizing their playfulness and intimacy. The exhibition path indeed opens with a canvas depicting a convivial scene: three young people eat and converse around a table not yet set, as if to suggest the creative act of chef Michelangelo Mammoliti.

Ismaele Nones, A chi parlo quando parlo, Acrylic painting on canvas, 2024

Sara Cortesi

In the private room of La Rei Natura, where the work Margini by the young artist Sara Cortesi is displayed. It consists of a set of glass cutlery whose shapes recall the leaves of wild herbs that grow along the edges of roads, in ditches, and in flowerbeds. These plants, once used as food, represent an ancient and now forgotten knowledge, as well as an attention to the products that nature offers us daily. Just as this work restores importance to these overlooked herbs by transforming them into knives and cutlery, so too does chef Michelangelo Mammoliti’s research aim to rediscover the vegetal element and sublimate the raw materials that the Earth provides.

Sara Cortesi, Margini, Set of 8 glass sculptures, 2025

Giulio Paolini

Ritornando labirinticamente alla sala dell’aperitivo, troviamo una carta di Giulio Paolini, anche essa datata 1972.
In quegli anni il giovane artista, già legato al contesto torinese, intraprese una ricerca sull’immagine e sul segno orientando la propria poetica verso una dimensione concettuale. Egli richiamò l’attenzione sugli elementi costitutivi di un quadro, sullo spazio della rappresentazione e sulla prospettiva. Come afferma Tommaso Trini, in quegli anni l’artista “comincia con lo squadrare la superficie di una tela, a matita, secondo il disegno preliminare di qualsiasi disegno”.

Giulio Paolini, Francesco, Matite colorate su carta, 1972

Salvo

Salvo, an artist of Sicilian origin but connected to the Turin art scene since 1956, initially embarked on a conceptual research aligned with that of Arte Povera in the early 1970s, when the group was beginning to form. His practice later pursued a “return to painting,” which found its greatest expression in landscape painting, whose vibrant colors do not oppose conceptual art but rather expand the possibilities of figurative work to subjectively define open spaces. Despite Salvo’s familiarity with the Langhe, the exhibited work Più tempo in meno spazio, created in 1972, represents the theorizing tendency of the early years of his practice, in which the use of the written word is dominant and always accompanied by references to the classical and the archaic, symbolized by the tombstone and the choice of marble.

Salvo, Più tempo in meno spazio, Engraved and painted marble, 1972

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